However, since most allowed four ROM chips to be mounted, and these chips were available separately, real differences might be simply cosmetic. The Proteus range was developed into several models, some differing from each other only by the sound banks they contained, which were optimised for different purposes. The exclusive license for re-formatting and managing historical E-MU Proteus sound content has been acquired by Digital Sound Factory. This type of sound production dominated electronic music production for several years in the late 20th century. However, unlike a true sampler, such devices do not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use. These sounds may then be layered, filtered, modulated by low frequency oscillation and shaped by envelopes. Unlike the true synthesiser, sample-based equipment does not derive its raw sounds from electronic oscillators but from recorded sounds held in read-only memory (ROM) chips. E-mu Systems came to prominence in the early 1980s with their relatively affordable Emulator sampler, and subsequently pioneered sample-based synthesis technology with the Proteus range.
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